On The Vine – November 2014 – Ray Chen with Timothy Young
The first time I heard Ray Chen play violin live was at the Huntington Estate Music Festival in 2010, where he brought the house down more than once, including an impossibly assured performance of Ysaÿe’s fiendishly difficult Sonata for Two Violins alongside Dene Olding. He also treated us to a stellar version of Bach’s Chaconne (from Partita no 2), Chausson’s “Concert” (accompanied by piano quintet) and Schubert’s luscious Rondo for Violin and Strings with the Chamber Orchestra of the Australian National Academy of Music. He played quite a lot of other music as well, but I now find it hard to believe that he was able to present so much incredible repertoire in just four days!
Since then Ray has become a true global phenomenon, having given major performances alongside the great artists of the world in concert halls at every corner of it. It is a great thrill to have him undertaking his first Australian concert tour with Musica Viva this month, culminating in his long anticipated return to the Huntington Festival, once again in the company of the ANAM Chamber Orchestra.
I endorse Bartók’s proposition that competitions are better suited to horses than artists, but it might have taken the world a lot longer to discover Ray Chen’s prodigious talent if he hadn’t won both the Yehudi Menuhin (2008) and Queen Elisabeth (2009) Competitions by the age of 20. The first of these musical races also put him in touch with one particular jury member, the incredible violin virtuoso, and Ray’s childhood idol, Maxim Vengerov. Although Ray would certainly have risen to prominence sooner or later, Vengerov’s support and mentorship helped ensure that this happened a lot sooner than later.
The program for Ray’s November concert tour closes with archetypal pyrotechnics in a set of showpieces by Sarasate, including the iconic Zigeunerweisen. These grow from a decidedly serious ground, however, being preceded by Bach’s incredible E major Partita for unaccompanied violin. The first half of the program helps display other sides of Ray’s musical personality, moving from the classical elegance of Mozart’s A major Sonata (K305 ) to Prokofiev’s alternately beautiful, haunting and sparkling second Violin Sonata.
Ray’s first commercial CD was recorded in Australia, accompanied by outstanding Melbourne pianist Timothy Young. In a town that seems to have an inexhaustible supply of excellent pianists, Timothy stands out for the breadth of his expertise and his impressive combination of virtuosity and sensitivity. This concert tour unites the two for the first time since that recording.
Carl Vine AO
For more information on Ray Chen with Timothy Young, and to book your tickets, please visit; www.musicaviva.com.au/chen