Trio Dali reviewed in The Age
Clive O’Connell, The Age
May 24, 2012
Making every post a winner, the Trio Dali is touring Australia with one program only but playing it with such mastery that even this hoary chamber music veteran is tempted to go back on Saturday to hear the recital again.
Newcomers to the Musica Viva stable, the ensemble is one of the best finds in this field for 2012.
The full impact of their character builds slowly. These young players avoid the flashy by starting with Gordon Kerry’s Im Winde of 2000, a 10-minute span of colours applied with subtle pointillism, as well as daubed on with momentary vehemence. The reading showed a keen appreciation of the composer’s language: wiry athleticism allied to emotional control in a short work well worth re-examining.
Having her piano open on the short stick meant that Amandine Savary brought an unexpected alteration in balance to the Ravel Piano Trio, in which the keyboard often washes out its string colleagues, particularly in the massive chord washes of the finale. Across these familiar pages, the Dali musicians exercised an unwavering control without over-egging the spikiness of the second movement’s interplay or the dour brooding in the central Passacaille.
But the trio moved onto an even higher plane in the Schubert E flat Trio, here outlined at reasonable length although, in readings with this level of insight, repeats would have been welcome. Pliability of rhythm, near-faultless interweaving of lines from Vineta Sareika’s violin and cellist Christian-Pierre La Marca, and an unabashed volubility made this a valuable experience.