American Brass Quintet Tour Australia

In their first Australian appearance for four decades, the American Brass Quintet – the world’s leading ‘high priests of brass’ – bring their rich-toned and perfectly matched sound to this unforgettable, masterly concert, spanning the centuries from the grandeur of Renaissance Venice to the high-octane excitement of the 21st century.

Teh American Brass Quintet will tour Australia (Sydney, Brisbane, Melbourne, Perth, Adelaide, and Newcastle) in May 2014. For more information, and to book your tickets, please visit; musicaviva.com.au/abq

Chamber Music & Me Episode Three – Anton Enus

Chamber Music & Me Episode Three is now available to watch online! This episode features SBS newsreader Anton Enus.

Chamber Music & Me is a new weekly web series offering insight into how people discover chamber music, why it resonates with them, and how they share their passion with the people they love.

Chamber Music & Me Episode Two – Alice Chance

Chamber Music & Me Episode Two is now available to watch online! This episode features the multi-talented Alice Chance.

Chamber Music & Me is a new weekly web series offering insight into how people discover chamber music, why it resonates with them, and how they share their passion with the people they love


In the new weekly web series, Chamber Music & Me, affable family man Matthew Hodge shares the story behind his love of chamber music.

This series gives a great insight into how people discover music, and what it is about the music that resonates with them. The next episode, which features Sydney Conservatorium student Alice Chance, will be released on Friday April 4th at 12PM.

Carl Vine’s Piano Trio “The Village”

Composer Carl Vine discusses the inspirations behind his new composition “The Village”, which is being premiered by the Sitkovetsky Trio on their current Australian tour. To find out more information, and to book your tickets, please visit; www.musicaviva.com.au/sitkovetsky

Chamber Music & Me

Chamber Music & Me is a new weekly web series about people who love chamber music. Each episode focuses on an individual as they tell their story of discovering music, sharing their passion with friends, and what it means to like classical music. Each episode is very different, and each individual approaches the music in their own, unique way. Starting this Friday, a new episode of Chamber Music & Me will be released each week for four weeks.

For more information on Chamber Music & Me, please visit; www.musicaviva.com.au/chambermusicandme

 

On The Vine – On The Road with the Sitkovetsky Trio

IMG_7345I first met up with the Sitkovetsky Trio early on Wednesday morning in Sydney. Their maiden appearance in Australia, the first concert of their national concert tour for Musica Viva, was in Newcastle the following night. Violinist Sasha (Alexander Sitkovetsky) had only landed in Australia the previous evening, but they weren’t going to waste any time getting stuck into the tour repertoire, and particularly into my new piano trio, The Village, that nobody in the world had ever played before then.

As with most of the artists appearing for  Musica Viva, jetlag is an inevitable feature of the start of every tour, with a variety of home remedies and “travellers’ tips” (most of which don’t work) being tried out in the process. Cellist Leonard Elschenbroich had landed two days earlier, so was nearing the worst of that unstable phase where metabolism tries to rotate night into day. Pianist Qian (pron. “Chen”) Wu seemed as bright as a daisy, while Sasha philosophised that, as the father of a new baby daughter, he had forgotten what sleep felt like, so didn’t miss it. He appears to have been correct.

I was to leave them alone to rehearse for four hours before they would let me hear my new trio. It turns out that they continued working through until 9pm that night, with Leonard taking advantage of the quiet solitude to practice on his own until after 10pm. These musicians are serious!

I returned at 1pm and we spent 90 minutes thrashing out all the mistakes in the score and the individual printed parts, and correcting some of the simple misunderstandings that inevitably accompany first readings of new music. At this stage it was hard to tell exactly how well the composition would flow, or whether any of the experiments in material, texture and architecture that I had tried for the first time in this work, would actually work in real performance. I left them alone to continue acclimatising and working through their demanding tour program.

I didn’t see them again until the following afternoon, before their debut concert. I had just delivered a seminar on my still non-existent piano trio to keen and attentive students from the Newcastle Conservatorium, the wonderful auditorium of which was the venue for the evening’s performance. The Sitkovetskys arrived at 4:30pm, ready for their last two hours of preparation.

They played through my composition almost without flaw, and with a sense of organic flow and development that I hadn’t dared hope for. When they played it for real, to a paying audience a few hours later, it had become a living piece of music that, it seems, had really touched the players and could connect with listeners who had no idea what they were about to hear. This was a stunning experience that every composer hopes for, and should live to experience.

At the end of a rapturously received concert, the group came back on stage for one of our trademark “Meet The Artists” sessions, for which about 50 audience members remained, armed with a bevy of fascinating questions. But the players’ evening still wasn’t over, being then whisked away to one of the post-concert suppers that have become legendary, and unique to, the highly dedicated Committee of Musica Viva Newcastle.

Committee members had piled tables high with great food, and we were swamped with excellent wines from Huntington Estate, while a dark chocolate birthday cake materialised from nowhere to celebrate Leonard’s birthday the following day. (The trio themselves had forgotten all about this, but our canny Operations team triple check EVERYTHING when they secure work visas).

We all got back to the hotel, overlooking picturesque Newcastle Beach, a little before midnight. I had to remind myself that two of the trio had, at that point, only been in Australia for not much more than 48 hours, and had spent at least 16 of those in deep rehearsal. Someone suggested that they meet early the next morning for a quick dip in the surf. I went to bed, confident that, as they flew to Melbourne the next day to continue the rest of the tour, youthful energy and innate brilliance would make this a completely memorable sequence of appearances in Viva’s 2014 concert calendar.

Carl Vine
Artistic Director

For more information on the Sitkovetsky Trio, and to book your tickets, please visit musicaviva.com.au/sitkovetsky, or call 1800 688 482.

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